Hello and welcome to the movie blog of author John DeFrank - FilmZ and Guy Sobriquet Malone - Researcher

Ant-Man and the Wasp

Ant-Man and the Wasp review by Guy S. Malone, Researcher

The Marvel Cinematic Universe (MCU) gets a lot more right than it does wrong, and in Ant-Man and the Wasp it hits on all cylinders.  The third movie from the studios this year, it is also the most modest.  It isn't the mega-blockbuster that gives us a whole new nation and MCU's first person-of-color lead, nor is it a mega-superhero apocalypse.  But it is the first Marvel Studios movie with a female character in the title--Evangeline Lilly's "Wasp" AKA Hope Van Dyne--and it's arguably the funniest film in the canon, thanks to Paul Rudd as Scott Lang, a regular guy and ex-con who is the most ill-suited superhero (thank goodness his "Ant-Man" suit sizes change at the push of a button).  Rudd also wrote the script, along with Erik Sommers, Chris McKenna, Andrew Barrer, and Gabriel Ferrari.  The writers and Director Peyton Reed inject enough heart to keep the story grounded but not so much that it's schmaltzy, and they add just enough humor to enhance the strengths of a gifted array of actors, keeping the exposition and sciency talk light and palatable.

As the movie opens, Scott is still under house arrest for becoming one of "Cap's" outlaw allies in Captain America: Civil War, which also explains why Ant-Man is missing from Avengers: Infinity War.  Those exploits, unfortunately, also put Hope and her father Hank Pym (Michael Douglas) on the run, but they are also on a mission.  Harking back to the first Ant-Man, when Scott entered the Quantum Realm and returned unscathed, father and daughter rekindled hope that Hope's mother, Janet Van Dyne (Michelle Pfeiffer) might still be alive after entering that subatomic realm some 20 years earlier.  Using Hank's size-changing technology, they stay on the move with a laboratory that can shrink to suitcase size, complete with travel handle and wheels.  As angry as they are at Scott, they find that they need him in their quest, an adventure Scott doesn't want with only three days remaining on his two-year house arrest.

With that set-up, a mind-boggling array of characters and subplots complicate matters: Scott wants desperately to be the father his daughter Cassie (Abby Ryder Fortson) deserves and to work together with ex-wife Maggie (Judy Greer) and her new husband Paxton (Bobby Cannavale), a cop, to bring it off.  Speaking of cops, FBI Agent Jimmy Woo (Randall Park) makes a habit of surprise house checks, trying to catch Scott violating his house-arrest.  And, along with his former prison mate, Luis (Michael Pena), Scott is trying to get a security business off the ground with partners Dave (T.I.) and Kurt (David Dastmalchian).  Meanwhile, Hank and Hope purchase black market quantum technology from Sonny Burch (Walton Goggins), a profiteer who double-crosses them.  Hank solicits help from Dr. Bill Foster, (Laurence Fishburne), who left Hank's lab years ago under a shadow of suspicion.  And we haven't even gotten to the big villain yet--"Ghost"/Ava Green (Hannah John-Kamen), who wants Hank's Technology for her own ends.

There was a point, about one-third of the way in where we thought, there's too much going on; like a juggler with too many balls in the air.  But by the midway point, the tangents started connecting, and by the last act, everything fit nicely.  This is a credit to both Reed and the writers, who deftly intertwined all of the moving parts.  One of the smartest moves was one of the most original: having Scott and his family, including the man who took his place, be mutually supportive.  This convention-defying plot element gives Scott a stable base amid the chaos that surrounds him.  The writers do a marvelous job of setting Walton Goggins up to play the cheerfully verbose baddie he excels at.  Randall Park is equally effective as Scott's socially and emotionally conflicted watchdog.  It seems odd to mention comic relief in what is essentially already a comedy, but Michael Pena's manic enthusiasm, with T.I. and Dastmajian playing off of him, create a team that rivals the Marx Brothers for zany antics.  On the more serious side of the movie is our "villain": Hannah John-Kamen is electric.  We first saw her playing a terrorist in season 2 of The Tunnel, and she is a force on-screen.  Like Killmonger in Black Panther, Ghost has reasons for what she does, and we can sympathise, to an extent.  But it is Evangeline Lilly as Wasp/Hope, who steals the movie.  She has trained all her life, and when Hank lets her take wing (literally), she does so with passion and gusto.  Rounding out the cast with Douglas, Pfeiffer, and Fishburne, we are hard put to think of a better ensemble in the MCU.  See this one on the big screen for the full visual treat.
9.0 out of 10 on an Entertainment Scale



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